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Author: Margaret Almon

Fantasy Bird Collaboration with Nutmeg Designs and Suzi Beber

Bringing Suzi Beber’s Miniature Worlds into Mosaic: Fantasy Bird Heart Song

Heart Song: Fantasy Bird Collaboration with Nutmeg Designs and Suzi Beber
Heart Song: Fantasy Bird Collaboration with Nutmeg Designs and Suzi Beber, glass and millefiori on slate, 9.5×14 inches.

 

This bird is winging its way to Canada! A creative and compassionate client, Suzi Beber of Smiling Blue Skies Cancer Fund, commissioned us to create a mosaic interpretation of her drawing. This is from Suzi’s series of Cancer Breaks: “. . . one of a kind, and are only the size of a hockey trading card. Each represents a precious person or pet whose life has been touched by cancer. “Cancer Breaks” are miniature worlds done in pen and ink and are sacred spaces where hope is the medicine and love is the cure for cancer.”

Stratoz did the initial bird pieces and left spaces open for me to create texture and sparkle. HMB Studios beads and Italian millefiori beads helped capture the intricate details in Suzi’s work. It is an honor to be entrusted with someone’s creative expression, and an expansion of my own imagination.

Fantasy Bird Drawing by Suzi Beber
Fantasy Bird Drawing by Suzi Beber

Tree of Life Collaboration with Suzi Beber

Open Studio in Lansdale May 12th & 13th 2018 at Nutmeg Designs

Wonky Patchwork Pendants by Margaret Almon, dichroic glass 2x1 inches
Wonky Patchwork Pendants by Margaret Almon, dichroic glass 2×1 inches.

As I get ready for our Third Annual Nutmeg Designs Open Studio and Food Drive for Manna, I am thankful for the generosity of our friends, fans and clients in bringing food donations. Last year visitors brought 450 pounds of food!

I have been in the studio putting generosity of color and sparkle into new pendants for the Open Studio. This trio started with some straight lines in the pendant on the right and moved into a bit of wonkiness with the middle and left ones. Quilters have “wonky blocks” with slant lines or askew.

Come join us for a generous dose of beauty!

 

 

NCSA Plaque for Mosaic Browser

Not that Kind of Mosaic: 25th Anniversary of the Web Browser

Mosaic Browser 25th Anniversary
Mosaic Browser 25th Anniversary

April 22, 1993: Mosaic Browser Lights Up Web With Color, Creativity.

Quite a title from a Wired Article. I was a graduate student in Library Science at the University of Illinois at Urbana-Champaign when the NCSA(also at UIUC) Mosaic browser was added to the computer lab. I remember looking up chocolate, and a photo appearing of cacao pods, in color, inline on the same page. The links to other pages were in underlined in light blue. You could just click on them instead of typing things into the command line.

I didn’t understand how profoundly this would change my experience as a librarian. Web pages aspired to look like magazine or book pages and they eventually did. When I graduated, the Mosaic Browser was not yet everywhere. As a librarian, I was the mediator, the travel agent of information, because library patrons couldn’t get to all of it themselves. Slowly the browsers encompassed more and more of my job.

And in 2003, I discovered another form of Mosaic: the art form, while on a silent retreat at the Wernersville Jesuit Center, in the chapel with a mosaic mural designed by Hildreth Meière. As I learned to make mosaics, and started Nutmeg Designs in 2007, the Mosaic Browser had ceded to Google, and my librarian job ceded as well in 2010.

Mosaic is everywhere as a metaphor, as a name for companies, software, apps, training programs. Canada, where I grew up, favors the Cultural Mosaic metaphor vs the US Melting Pot metaphor. Stratoz teaches science and horticulture, so he knows about the mosaic virus causing a mottled pattern on plants. It can be frustrating to have a focus on mosaic art and wade through the 69 million results on Google, though I did come across Mosaic Records, restorer of jazz albums, which reminds me of the serendipity that comes with web browsing.

The Mosaic Records Jazz Gazette clued me into another anniversary this month, the 75th of the premiere of Duke Ellington’s Black Brown and Beige jazz symphony. Take a jazz break with Come Sunday from the 1958 recording with Mahalia Jackson, and then a coloring break with the National Center for Supercomputing  Applications 30th Anniversary Coloring Book.

Word for 2018: Tend

Word of 2018: Tend
Word of 2018: Tend

My #oneword for 2018 is Tend: to pay attention, direct energies, to stretch toward my life and take care of the things that matter. Stratoz kindly colored the background orange for me. I have it in my studio where I can see it every time I walk by.

Choosing a word as a touchstone for the year began for me in 2016, when someone commissioned Nutmeg Designs to make a mosaic sign of the word Create because it was her word of the year. I realized this was a word that inspired me as well, because when I am creating, rather than consuming, I am rejuvenated.

Nutmeg Designs Create Sign in Mosaic
Word of the Year 2016: Create, by Nutmeg Designs. Glass on slate, 12×6 inches.

The word I chose for 2017 was Up. I had made a sign with that particular word because of my experience with Alexander Technique lessons and the concept of feet rooted on the ground, and the head up, as if with the help of invisible threads. I also was inspired by all the aspects of up: Show up. Speak up. Stand up. Rest up. Get up.

Up in Mosaic by Nutmeg Designs
Up in Mosaic by Nutmeg Designs, glass on slate, 8×8 inches.

What is your word of 2018? Why did you choose it?

Artisan Fair Lancaster Designer Guild of Craftsmen 2017

Lancaster Designer Craftsmen Artisan Fair: November 11 & 12, 2017

Luminous Beauty: Mosaic Word by Nutmeg Designs
Luminous Beauty: Mosaic Word by Nutmeg Designs. Glass on wood, 6.5×12 inches.

Nutmeg Designs will be back in Lancaster for the first time since 2009, when we did the previous incarnation of the Pennsylvania Guild November fine craft show. The Artisan Fair, November 11th & 12th 2017, picks up the tradition via the Lancaster Designer Craftsmen, and the sheer beauty of the craft represented will make it a delight to  visit and shop.

The show is an expo of American-made fine craft and fine art featuring over 100 local and national fine artists and craftspeople, who make functional pottery, handmade jewelry, designer clothing, glass art, woodworking, and more. We will be in booth #153 with mosaics and stained glass. Please stop by!

Spooky Nook Complex in Manheim is a state-of-the-art facility boasting easy road access off route 283.

Admission $5.00/Free Parking

For your GPS or other electronic map software use address:

75 Champ Blvd
Manheim, PA 17545

Nutmeg Designs Booth 153
Saturday 10-5
Sunday 10-4

 

Artisan Fair Lancaster Designer Guild of Craftsmen 2017
Artisan Fair Lancaster Designer Guild of Craftsmen 2017
Purple Cape from Denise Shardlow

Wear the Rainbow: From Capes to Pendants at Denise Shardlow’s Open Studio on August 18th, 2017

Open Studio in Elkins Park August 18, 2017

Nutmeg Designs Feature Artist at Denise Shardlow Open Studio

 

Fashion Designer/Fiber Artist Denise Shardlow has invited Nutmeg Designs to be the feature artist at her Open Studio in Elkins Park. I will be there with mosaic pendants and a selection of other mosaics, and suncatchers by Stratoz. Her studio is an immersion in color with poppy red walls and anyone with an earthy orange living room is a Color Soul Sister! Denise has been busy making capes in a rainbow of colors out of scraps of melton wool.

Purple Cape from Denise Shardlow
Purple Cape in Melton Wool from Denise Shardlow

Mark your calendars for Friday Evening August 18th, 2017 from 5:30-9:00.  There will be wine from ONE Hope Wine with samples of their wines and a mission to benefit charities.

310 Sterling Road
Elkins Park, PA 19027

See Denise’s ERNSTdottir site for directions.

Open Studio Facebook Page

Stained Glass Project

Margaret’s Fundraiser for her 50th: The Stained Glass Project for Philadelphia High School Students

Stained Glass Project
Fundraiser for The Stained Glass Project: Windows that Open Doors in Philadelphia.

 

Don’t ask yourself what the world needs. Ask yourself what makes you come alive, and go do that, because what the world needs is people who have come alive. (Howard Thurman)

On July 29th, 2017, I celebrate my 50th birthday.

 

To mark this occasion, I want to raise $1000 for The Stained Glass Project(SGP) in the month of July.

 

Making glass art transformed my life, and I want to pass that gift of transformation onward.

 

Artmaking has enlivened me, as has the sustaining love people have shown me in my life.

 

The Stained Glass Project is a manifestation of other artists, Paula Mandel and Joan Myerson Shrager, who took the enlivening power of art and the power of love in action, and started this extraordinary program in 2007 for Philadelphia public high school students to make stained glass and gift it to schools around the world.

 

In an overcrowded room, teens, many who never took an art class, create serious minded artwork, often for the first time. Students are surprised by their own creativity. In many cases it is their first experience allowing independent decision-making and self-expression through art. . .Each semester there is an amazing collaboration between volunteer adult mentors, who devote about three hours every week, and the teen stained glass artists. This time is often the only one where students can have a sustained one-to-one relationship with an adult. The SGP is a diverse group of Muslims, Christians, Jews, old, young, varying economic backgrounds, artists, designers and students working with sharp-edged glass, blue-flamed torches and protective goggles to create original stained glass artwork that becomes a part of the lives of children throughout the United States and the world. This SGP cultural community that has developed has been life changing for all. (The Stained Glass Project FB page)

Over the next weeks, I will be sharing stories and work from the Stained Glass Project on my GoFundMe page. You can make a difference by donating $5.00 or more by July 31st, 2017.

NOTE:

The words of Howard Thurman circulate throughout inspirational quote pages, and looking for the source, I discovered it is from the introduction of a 1995 book by theologian Gil Bailie, Violence Unveiled: Humanity at the Crossroads. Bailie was interviewing seeking the advice of Howard Thurman and talking to him at some length about what needed to be done in the world, and Thurman interrupted him with, “Don’t ask yourself what the world needs. Ask yourself what makes you come alive and go do that, because what the world needs is people who have alive.”

Thank you to Unitarian minister Chip Roush sharing the source, and the important context of this quote. Dr. Howard Thurman was an African-American mystic and theologian, spiritual advisor to Dr. Martin Luther King, and co-founder in 1944,  of the Church for the Fellowship of All Peoples in San Francisco, the nation’s first intentionally interracial, interdenominational church.

Related:

Read about how I first stumbled across a display of work by students from the SGP in 2010 when I missed my train and walked to Love Park, and found an exhibit of their stained glass windows at the Welcome Center. The windows were for a school in South Africa.

The Shared World: Naomi Shihab Nye and Tasting Inclusion

Gate A-4 by Naomi Shihab Nye
Excerpt from Gate A-4 by Naomi Shihab Nye from her book Honeybee.

Getting ready for our Nutmeg Designs 2017 Open Studio and Food Drive for Manna on Main Street, I thought of this poem, Gate A-4 by Naomi Shihab Nye.

Nye tells the story of being at the airport and hearing an announcement asking if anyone spoke Arabic, and she goes to Gate A-4 where a woman in Palestinian dress is crumpled on the floor. Nye talks with her, and we are all transported to the shared sacrament of mamool cookies that the woman pulls from her bag.

Our show is an occasion to bring food for Manna on Main Street, which began with the vision, “That everyone one might be fed,” for those simply in need of a good meal and company. Our visitors brought an estimated 450 food items, and heartened me with their generosity.

Take a minute to listen to Naomi Shihab Nye read the whole poem. It is wonderful. This is the world I want to live in, the one where hearts open rather than break.

 

Orange Ombre Rectangle Pendant: Flowers and Sunshine

Orange Ombre Domino Pendant by Margaret Almon
Orange Ombre Domino Pendant by Margaret Almon, glass and millefiori, 1×2 inches, $67.

It’s Orange Tuesday with some Orange Ombre in a new pendant shape, the domino. Getting ready for a our 2017 Nutmeg Designs Open Studio: Open Heart prompted me to take on a request from someone at the North Penn Craft Show for a rectangular pendant. If you are in the Lansdale area on May 13th &14th, come by our annual show and food drive for Manna on Main Street. In a bit of added Orange, the goal is to fill the Fit.

Filling the Orange Fit for Manna on Main Street
Filling the Orange Fit for Manna on Main Street

Last year, visitors to our show donated over 400 pounds of food! Help us have an even better year in 2017. Every 5 cans of food gives you a chance for a custom Dream Sign Mosaic in your choice of colors, and any food donation will also grant you a piece of Stratoz’s homemade strudel(so get there before its gone!)

Edited 5/17/17: We collected over 450 items, which was well over the 300 items from last year. The generosity of our clients, fans and friends was heartening.

 

Margaret Burroughs, Spirals

Margaret Taylor Burroughs(1915-2010): Printmaker and Community Maker

Margaret Burroughs Portrait in Mosaic by Thomas Hill via Sumi-I on Flickr
Margaret Burroughs Portrait in Mosaic by Thomas Hill via Sumi-l on Flickr

Margaret Taylor Burroughs(1915-2010), was a founder of  the DuSable Museum of African American History, as well as the South Side Community Arts Center(SSCA) in Chicago when only 23 years old.  There were no galleries in  downtown Chicago for African-Americans to exhibit their art, or gather together in the 1930’s. With the New Deal, Roosevelt’s WPA Arts Project provided funding to open the SSCA. In an echo of 2017, Burroughs writes:

As we progressed further into 1943, it became more and more evident that the art center would no longer receive WPA funds to pay for its salaries or operations. Reactionary congressmen wiped out all of the social and culture programs. Efforts were made to build a membership which would contribute annually to the center’s support. Pauline Kigh Reed organized a committee of 100 women to help to raise funds.(Chicago’s South Side Arts Center: A Personal Recollection)

Burroughs was a printmaker, and one of her color prints caught my eye.

Margaret Burroughs, Spirals
Margaret Burroughs (American, 1917-2010)
Spirals, 1985
Linocut
Koehnline Museum of Art
Gift of Mr. & Mrs. Harlan J. Berk, 2013.55

Her black and white linocuts have the bold power of contrast, and in Sleeping Boy, I see an echo of a spiral as well.

Sleeping Boy by Margaret Burroughs
Margaret Burroughs (American, 1917- 2010)
Sleeping Boy, 1990s
Linocut
Koehnline Museum of Art.
Gift of Dr. Margaret Burroughs, 2008.15

In the serendipity that comes with researching Margarets for Margaret Mondays, I discovered a mosaic portrait of Burroughs by Thomas Miller(1920-2012), graphic designer and visual artist. The DuSable Museum commissioned Miller to do portraits of the founders, in a unique style:

The founders’ murals are Miller’s magnum opus, and beautifully demonstrate the creativity that is typical of his work. Unlike traditional mosaic that is made with earthenware or glass tile, these are made from thousands of pieces of plastic that were harvested from plastic egg crate light diffusers which were then individually colored and arranged to create the images in the series. “Anybody can do an oil painting,” he said during an interview, “but to take a face and do it with squares is hard. They have to be turned at an angle to catch the light”. (Interview with Lauren Fitzpatrick)

He was fascinated by art from a young age, and read all he could at libraries. After serving in the Army in WWII, he enrolled in a Commercial Art Program at the Ray Vogue School of Art in Chicago. Finding a graphic design firm that would hire an African-American was hard. One agency said they would offer him a job if he worked behind a screen. He declined the offer. Morton Goldsholl hired him the 1950’s, and he went on to do the logo rebrand of 7 Up in 1975.  Check it out. I like how it resembles a mosaic.