I am very partial to orange, but really I never met color I didn’t like in art making. I noticed as I had these pendants sitting on my bullet journal tracker that there was definitely a similarity! I am highly color motivated, and getting to color a square after doing a task helps me get things done. The narrow striped pendants are a new shape for me, and I will be bringing a new crop to the North Penn Holiday Market November 17th, 2018. Just 1/2 inch wide, and 2 inches long and full of color. Send me a message if you want to know when they will be in the Nutmeg Designs Etsy Shop.
One of my favorite materials is gold smalti: a chunk of glass plus a thin layer of gold and an even thinner layer of glass on top. This luscious dish of smalti was made by the Orsoni Factory in Italy, and I buy it by the ounce, even though I covet it by the ton. Someone asked me if this is the gold used in the ceiling of San Marco in Venice. I looked it up, and Orsoni has since its beginning in 1888, manufactured mosaics for the renovation of the Basilica. It supplied more than 1,000 ancient 24K gold plates that decorate the 8,000 square meters of the structure.
When I discovered dichroic glass and it was love at first sight! The name means “two colors” — layers of coating on the glass allows it to change hue depending the light. Originally created for the aerospace industry, fortunately it was recognized for its beauty and companies now sell it to artists. This new Moonflower Mandala Pendant shimmers between green and violet.
I went on an excursion in the rain to the Michener Art Museum in Doylestown to hear a talk by Kaffe Fassett about color. The first book I owned about mosaic was by Kaffe Fassett, and I was drawn to his use of color. Fassett has created art in many mediums from knitting, fabric design, quilting and mosaic. Someone in the audience asked him if he had a favorite medium, and he said no, that it was all a vehicle for playing with color, that he calls his studio a color laboratory. He sees color choices as an intuitive process, trying out different combinations of fabric on flannel “audition” boards until the colors vibrate or click. Fasset’s first medium was painting and painted only in shades of white! Another audience member asked if this was his preparation for moving to color, and he said yes, it was a kind of palate cleanser.
My first medium was collage, and color was my love. A friend asked if I had thought of being a painter because of my use of color, and it hadn’t occurred to me. I just wanted all the color. Looking at my photo from my previous blog post, Verve Patchwork in Orange, I recognize both a kinship with quilts and with collage, particularly the wood collage from another exhibit at the Michener, Pattern Pieces.
Look at this quilt-like patchwork of orange by New Jersey artist Laura Petrovich-Chaney. She created a series of sculptures using wood salvaged from homes after Superstorm Sandy. Watch this moving interview with Petrovich-Chaney on the Weather Channel about her project.
For a winter infusion of color and joy, be sure to get to these exhibits. The Fassett quilts are inspired by historical quilts and are laid side by side to see the new interpretation of amazing quilts from the past. I had to detour myself around the gift shop, since there were many tempting books by Fassett as well as ribbon from collection with Brandon Mably and Kaffe Fassett Studio. I was knitting while waiting for the lecture to start and the woman next to me said she wished they were selling yarn as well. I would’ve bought yarn.
Brandon Mably introduced Kaffe at the beginning of the lecture and told us how he helped yarn store owners learn to pronounce his name, “You have a safe assett with Kaffe Fassett.”
November 14, 2015-February 21, 2016. Blanket Statements: New Quilts by Kaffe Fassett and Historical Quilts from the Collection of the Quilt Museum and Gallery, York, UK, James Michener Art Museum, Doylestown, PA.
October 30, 2015-January 31, 2016. Pattern Pieces: Can You Make a Quilt Out of Wood?, James Michener Art Museum, Doylestown, PA.
I have been experimenting with photographing my pendants on a white background to help the colors shine. I love my old windowsill, but sometimes the patterning in the wood competes with something small like a pendant. One of my favorite aspects of mosaic is that it changes with the light, and yet it makes for photographing challenges. I am always so happy that people say the work is even better in person. For the shop, I also tried out the FotoFuze app which makes the background practically a lightbox in its intensity.