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A Star Come to Earth: The Moravian Star at Christmas

Growing up in the Moravian Church, Christmas was a time of beauty, and the centerpiece was the Moravian Star, originally made as a geometry lesson in a German Moravian School in the 1830’s. Art and science come together in this polyhedron. No matter how many points, it is still a polyhedron. The first stars were made of paper. A group of older people used to make stars in a Sunday school classroom at my church, but out of plastic, rather than paper. The stars were hung on a cord across the ceiling of the room, a small galaxy watching over whoever had class in that room.

This photo by freeformkatia captures the warm light that emanates from a Moravian star. I still get excited when I see ones lighting up people’s porches, because in my hometown, they were very rare.

I was blessed with a lovely couple at my church, who treated me like a daughter, and when I left to move from Canada to the United States, Mr. Harke made a paper star for me. I felt honored that he created something with his own hands as a gift, and when I first saw it glowing in a dark room, I couldn’t believe it was actually for me, such a beautiful creation. Sadly, the house I moved into burned, and the star was incinerated before I had a chance to hang it for even one Christmas.

The incarnation story of Christmas is about the spirit made flesh, God as a little child, incarnate. In making art, one shares in this incarnation, taking the creative spirit and earthly materials, and making beauty. The creative spirit comes in many forms, from cooking, to laughing, to singing for joy, and hopefully we have the freedom to express this creativity in spite of our precarious existence, in spite of fear, suffering and grief. Our dreams can burn down to ashes. Sometimes this paralyzes me, but I am grateful to those who love me, and nuture my spirit, and make incarnation possible.

If you would like to make some ornament size stars, check out this YouTube Video on making German Paper Stars, and this step-by-step set of instructions at Nagle Design.

Catching the Eye

Spiral Mandala by Margaret Almon
Spiral Mandala by Margaret Almon for Quantum Theology.

Stratoz’s  post about the image of bees being drawn toward flowers by scent made me think of how color can draw the human eye.  One of the first explorations I made in the visual arts, after years of being an artist of words, was taking a workshop on color with artist Nita Leland. When I am in the studio, colors send a vibration through me, like the harmony of being in choir, and being surrounded by voices.  Two colors that I love together are royal blue and gold.  These are very close to being complementary–in color theory pairs of colors which have an affinity to each other are violet and yellow, orange and blue, red and green. The mandala below had an especially compelling pull on my eye, and on Quantum Theology woman as well.  I was honored that she purchased it for her prayer space.  Art can be a relationship between the maker and the viewer, sweet as honey.

Related: Color Wheel Love

 

 

 

 

 

ProPanels!

This is our first show with the ProPanels.  They are the “knock downs”~  30 inches wide and 7 ft tall, and come apart into two sections.  The ProPanel people have a turnaround time of about 2 weeks, but they had them shipped the morning after I ordered.  The UPS guy artfully arrayed them on the porch in such a way that I had to move them in order to get into the house.  Luckily they are very lightweight, having a foam core.

My husband, the stained glass half of Nutmeg Designs, used his super-spatial-abilities and got it all into our Honda Fit with the magic fold down seats. It was very cool to be able to hang a lot of my pieces directly from the pane with drapery hooks, and then shine the halogen track lights on the glass. All the gradations of translucency and sparkle came to the fore.

 

The Beauty of Imperfection:Hozho

Floating Weft Mosaic by Nina Solomon and with Heidi Dauphin and in Collaboration with D Y Begay
Artists: Nina Solomon with Heidi Dauphin In Collaboration with weaver D Y Begay Floating Weft Mosaic, Heard Museum, Phoenix, Arizona 2008 Dimensions: H 5.5’ x W 30’ x D 1’ Materials: Styrofoam/concrete/fiberglass form, handmade tiles. Work commissioned by: The Heard Museum

 

“. . .the principle of harmony that includes natural variation in size and form. . .Because you are a human being and not a machine, your stitches will display at least some subtle variation.  Together, one way or another, you and your yarn will create hozho, and hozho is fascinating. . .Sunlight also provides hozho–at any given moment of the day, our familiar world will look slightly different due to variations of light and placement of shadow.”  Deborah Bergman p.204-205, The Knitting Goddess.

When I read this, I felt a thrill of recognition, an articulation of what I love about making mosaics–the landscape of textures, the gradations of color, of light, not perfect, not even.  And then I found this mosaic at Weaving in Beauty, Floating Weft, designed by the Navajo Weaver D.Y. Begay, in collaboration with mosaic artist Nina Solomon for the Heard Museum!

Begay comments in a newspaper article, “I didn’t want a mural that was flat and polished. I wanted it to have a dimensional effect, giving it an undulating formation, and to try and capture what you would see in the yarn itself.”

Related Post:

The Perfect Imperfections:  Wabi Sabi

What is your earliest art memory?

Lawren Harris 1

I was 6 years old, and my first grade teacher Mrs. Juchli, brought rental art prints from the Edmonton Art Gallery for us to see.  The prints were from paintings by the Group of Seven, some of the first Canadian artists to actually paint Canada, their own landscape.  I was fascinated by the different forms the paint could take, that Lawren Harris’ Mount Lefroy embodied smoothness, while Tom Thomson’s trees were alive with leaves of dabbed paint.  This was a new sensation, this visual language reaching in through my eyes and into my heart.

What is your first memory of encountering art?